Categories
Product Announcements

Eye-Fi: WiFi for all digital cameras

Eye-fi Wireless SD Card.

Digital cameras these days sport a feature we used to think isn’t too useful — WiFi. Nikon was one of the first few to actually include it in their compact models. But think about this, shooting an assignment on location, wouldn’t it be nice to directly preview your photos in a notebook for instantaneous review?

Now here comes the Eye-Fi, an SD memory card that adds WiFi connectivity to your camera. Yes, your old camera can still have WiFi just by using this card! Setup is fairly easy, though it works with your router only, and doesn’t connect to just any hotspot. But at $100 USD, it’s not really a bad value considering the capabilities it offers. What we wish for though is a CompactFlash version, since devices like this might be more useful to digital SLR shooters.

Categories
Bodies Lenses News

New Olympus E-3 & Zuiko Lenses

Olympus has just announced it’s new Four Thirds format body, the E-3. This new body can do 5 frames per second of continuous shooting, at 10 megapixels. To complement this new SLR body, they also have several pro–level lenses (and a 2x teleconverter) announced at the same time, namely:

However, with the market very much crowded by both Nikon and Canon, will the Olympus E-3 be commercially successful?

Categories
Flashes Lighting

RadioPopper: Radio TTL Flash System

RadioPopper logo.

Have you heard about RadioPopper?

It is a unique radio trigger system for use with your slave flashes and triggers, strobist–style, but with the unique capability of light metering through TTL. Created by wedding and portrait photographer Kevin King, it is slated for release sometime next year according to their press release (pdf).

With the look of things, this kit should be significantly better than the Cactus Radio Triggers I just acquired, considering it will be priced close to the industry–standard Pocket Wizards. But can it steal some of the Pocket Wizard’s market?

Categories
Lighting Reviews

Cactus PT-04 Radio Triggers

Cactus PT-04 Radio Triggers

Fellow blogger/photographer Luis Cruz helped me acquire the popular Gadget Infinity radio triggers, also called the “ebay triggers” by the strobist.com crowd. Both of us got single transmitters paired with two receivers for a fairly flexible portable lighting setup.

I had my first gig with the setup and it performed acceptably well, just as I expected. It is no pocket wizard, but does the job. A good value especially considering the price, since you can get a radio setup similar to mine for less than 5,000 pesos/100 dollars.

A comprehensive review of the Cactus PT-04 Radio Triggers is also available over at PhotoNotes.

Categories
News Reviews

Nikon D3 previewed

Nikon D3

I’m sure the recent series of digital SLR announcements from Nikon and Canon is still fresh in memory, and among them, certainly the full–frame Nikon D3 is distinctly remarkable.

And now, we finally get a chance to hear something about it! DPReview has their hands–on up for everyone’s perusal, so here’s their first–on–the–web Nikon D3 preview.

Categories
News

Sony Cyber-Shot DSC-T5 recall

Sony Cyber-Shot DSC-T5 problem. (Photo from DPReview.com)

If you have a Sony Cyber-Shot DSC-T5, be sure to check it against Sony’s recently announced recall for the said model:

Sony has recently discovered that some DSC-T5 Cyber-shot® digital still cameras may experience peeling and warping of the metal coating on the bottom of the camera that could result in a slight cut or scratch to the user’s skin. In its continuing effort to ensure customer satisfaction, Sony will offer free service to replace the bottom case on affected units.

Now you don’t want your camera hurting your skin, right? ;)

Categories
Reviews

Canon EOS-40D Hands-On

Canon EOS 40D - front view.

Looking for a hands-on review on the Canon EOS-40D? We found two reviews to give you the lowdown on Canon’s new model.

  • Canon EOS-40D: A Hands-On Report

    My time with the 40D was short, but I found that shooting about a thousand frames over a long weekend was all I needed to be able to draw some preliminary conclusions. These are, in brief, that the image quality of the 40D is excellent, continuing the industry-leading results that Canon has offered for the past 5-6 years. I didn’t see any breakthrough in low noise at the highest ISOs, but as with the EOS 5D ISO 400 is essentially noiseless and can be used as an everyday speed. Noise doesn’t really become an issue until ISO 1600 and even then isn’t that objectionable.

    I’m sure that once the major camera testing sites have done their thing there will be lots of charts and graphs to validate this perspective, so if these turn your crank, wait for them. In the meantime, I find that the IQ of the 40D is on a par if not even slightly better than that of the Canon 5D, which up until now has been my benchmark for DSLR image quality both at low and at high ISO.

    The bottom line is that the Canon 40D is the most DSLR for the money that Canon has ever offered. Certainly in its price range there doesn’t seem to be anything that can touch it. Move up a notch in price though and the forthcoming Nikon D300 may well put the squeeze on Canon’s hegemony in the DSLR marketplace. Time will tell, and no matter what happens we’ll all benefit from the renewed competition.

  • Canon 40D image quality shootout

    The conventional wisdom is that full frame SLRs will always produce the highest IQ. APS-C cameras while good, just can’t match full frame sensors. With the exception of the Nikon D2X which is pretty much the equal of full frame SLR’s at ISO 100, I’ve never seen a camera break with this wisdom. The D2X was until recently the Nikon flagship camera and costs about $4500. The IQ I see in the 40D images from ISO 100-800 is 95% the match of the 5D. At 1600 the shadow noise of the 5D looks to be a tad bit better than the 40D, but not by a large margin. The 40D’s tonality and richness in color gives the 5D a real run for the money. The only area I see the 5D looking better is in low contrast highlight regions. It manages to pull out a tad more detail. The 20D does okay in the shadows, but in the midtones and highlights just can’t match the richness of the 5D or 40D. It’s images while pretty good have a flatter tonal appearance. This subtle richness gives the 5D images the 3D effect people often talk about.

Read them well before you bite on that itch to upgrade. ;)

Categories
Techniques Tutorials

A two-stage approach to sharpening

How do you sharpen your photos in post–production?

Bruce Fraser discusses his two-pass sharpening approach that can be summarized into:

  1. Detail/Capture sharpening combined with selective creative sharpening
  2. Output sharpening for the desired output medium

What makes the article very interesting is his use of edge sharpening to make his image marginally “snappier,” sharpening only the important edges of an image to improve local contrast. Just as interesting, he prefers to sharpen for output using the high pass method instead the usual unsharp mask. The article explains everything thoroughly, and one of his previous articles also discusses various sharpening techniques.

Categories
Lenses News Product Announcements

Nikon 600mm f/4G ED VR AF-S NIKKOR

Nikon 600mm f/4G ED VR AF-S NIKKOR

Among Nikon’s recently announced super–telephotos, the Nikon 600mm f/4G ED VR AF-S NIKKOR has the highest reach and is expected to command the highest price. Designed mostly for sports, news, and wildlife use, this is expected to be present in the arsenal of the most sought–after porfessionals.

  • Ultra-fast aperture, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 5m.
  • Excellent dust and water resistance.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-604.

Expected for European release in November 2007.

Categories
Lenses News Product Announcements

Nikon 500mm f/4G ED VR AF-S NIKKOR

Nikon 500mm f/4G ED VR AF-S NIKKOR

A super–telephoto lens, the Nikon 500mm f/4G ED VR AF-S NIKKOR should be well suited for sports and news photography as well as those into wildlife, allowing for great reach at excellent quality. Featuring Nikon’s VR (Vibration Reduction) technology, this is expected to cost a premium but quality should be well worth the price, for those who can actually afford it.

  • Fast aperture, easy-to-handle, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 4m.
  • Excellent dust and water resistance.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-504 included.

Availability is expected in November 2007 for Europe.

Categories
Lenses News Product Announcements

Nikon 400mm f/2.8G ED VR AF-S NIKKOR

Nikon 400mm f/2.8G ED VR AF-S NIKKOR

The Nikon 400mm f/2.8G ED VR AF-S NIKKOR is an similar to a previous model, but adding Nikon’s Vibration Reduction (VR) technology, an image stabilization system not unlike Canon’s IS.

  • Ultra-fast aperture, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 2.9m.
  • Excellent resistance to dust and water.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-404 included.

More on this product soon.

Categories
Lenses News Product Announcements

Nikon 14-24mm f/2.8G ED AF-S NIKKOR

Nikon 14-24mm f/2.8G ED AF-S NIKKOR

The Nikon 14-24mm f/2.8G ED AF-S NIKKOR is a new ultra–wideangle zoom lens from Nikon that is designed to work with full–frame bodies like the new Nikon D3, with f/2.8 constant aperture to boot! This should rival the Tokina 12-24mm which is one of the ultra–wide favorites for current DX/APS–C and full–frame shooters.

The key features:

  • Professional, extreme wideangle zoom NIKKOR lens.
  • 14-24mm zoom range (DX equivalent: 36-105mm).
  • Nano Crystal coat reduces ghost and flare.
  • SWM (Silent Wave Motor) for whisper quiet and fast autofocus.
  • ED glass to minimize chromatic aberration.
  • Rubber mount seal.
  • Instant manual focus override (M/A or M switching).
  • Integrated hood.
  • Soft pouch CL-M3 included.

The Nikon 14-24 should be an excellent lens based on Nikon’s history of producing great lenses, but we’ll see for sure once it starts shipping.

Categories
Lenses News Product Announcements

Nikon 24-70mm f/2.8G ED AF-S NIKKOR

Nikon 24-70mm f/2.8G ED AF-S NIKKOR

The Nikon 24-70mm f/2.8G ED AF-S NIKKOR is a new standard zoom lens that should replace its 28-70 f/2.8 sibling, similar to Canon’s 24-70 L. Compact construction reminds us of the Tamron 28-75 f/2.8 and the Tamron 17-50 f2/.8.

Features are listed as:

  • 24-70mm zoom range (DX equivalent: 36-105mm).
  • Nano Crystal coat reduces ghost and flare.
  • Slim, durable and lightweight barrel.
  • SWM (Silent Wave Motor) for whisper quiet and fast autofocus.
  • ED glass to minimize chromatic aberration.
  • Closest focusing distance: 0.38 m (at 50 mm).
  • Rubber mount seal.
  • Instant manual focus override (M/A).
  • Detachable hood and soft pouch CL-M3 included.

With this new Nikkor offering, Nikon shooters now have a 24-70 standard zoom, an advantage that only Canon used to have.

Categories
Lenses Product Announcements

New Canon Lenses for September 2007

Canon EF 14mm F/2.8 L II USM

The Canon EF 14mm f/2.8L II USM is a revision of an older model, likely made available to take advantage of the 22 megapixel sensor on the just announced Canon EOS-1Ds Mark III. The product page at Canon USA’s site has these details:

Ultra-wide angle lenses have always been in demand by architectural, corporate, and other top pro photographers. This new lens features completely redesigned optics including 2 high-precision Aspherical elements and two totally new UD-glass elements. The result is superior image quality: better contrast and sharpness at the outer edges, and a reduction in chromatic aberrations that can sometimes be seen with high-resolution digital SLRs. Its diagonal angle of view is an impressive 114°-anything larger would be a Fisheye lens. It has a built-in lens hood, and has been dust- and moisture- proofed. The lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive AF. This lens continues the proud tradition of superior clarity optics found in L-series Canon lenses.

Canon EF-S 55-250mm F/4-5.6 IS

A unique addition to Canon’s lens lineup is the Canon EF-S 55-250mm f/4-5.6 IS, almost an all–around zoom for APS–C bodies like the Nikon 18-200 VR and Sigma 18-200 OS. DPReview’s coverage states:

Compact and lightweight, the EF-S 55-250mm f/4-5.6 IS offers the longest zoom range in the EF-S series to date. The 88-400mm equivalent focal length opens up new framing possibilities for owners of EF-S mount cameras shooting wildlife, sports and travel photography. Optical quality is assured through a UD element, which minimises chromatic aberrations that could otherwise cause reduced contrast and colour fringing.

Canon EF-S 18-55mm F/3.5-5.6 IS

The Canon EF-S 18-55mm f/3.5-5.6 IS is the same lens as that offered as the standard kit lens for the 300D, 350D, and the 400D, but with the addition of an image stabilization system.

In response to demands of photographers, this standard zoom lens is designed with Canon’s Optical Image Stabilizer technology while retaining the compactness and lightness of previous models. Its stabilization allows sharp hand-held shots at shutter speeds up to four stops slower than otherwise possible. It consists of 11 elements in 9 groups and uses an Aspherical lens element to correct aberration for excellent image quality throughout the zoom range and a circular aperture for exquisite rendering of out-of-focus backgrounds. Without a lot of size, weight or cost, this lens expands picture-taking possibilities any time slow shutter speeds are needed.

Categories
Links News

Digital SLR Previews

As you may have known, several exciting new digital SLR cameras were released from the Nikon and Canon camps. Good for us, DPReview.com has previews of these new models, giving us an idea just how good they might be once they start shipping.

So here are the links to the previews:

  • Nikon D3, the 12 megapixel full–frame wonder that can do 9 frames per second and ISO 25600. [Preview link]
  • Canon EOS-1Ds Mark III, the flagship model for Canon which used to be untouched in its capabilities in the full–frame segment. [Preview link]
  • Nikon D300, a mid–level offering that slots in just above the D200, providing Nikon pros with a rugged workhorse at a reasonable price. [Preview link]
  • Canon EOS-40D, with 10 megapixels and 9 cross–type AF sensors, this thing can do 6.5 frames per second. A worthy update to Canon’s professional APS–C digital SLR bodies. [Preview link]

Now let’s start dreaming of our next upgrades!

Categories
Links

Top 10 Point & Shoot Digital Cameras

DPS has an interesting survey on the top 10 point and shoot digital cameras, listing the following models at the top, according to popularity:

  1. Canon PowerShot S3 IS
  2. Canon Powershot S2 IS
  3. Panasonic DMC-FZ50
  4. Sony Cybershot DSC-H5
  5. Canon PowerShot SD800 IS
  6. Canon Powershot A620
  7. Canon PowerShot S5 IS
  8. Fujifilm Finepix S5200
  9. Canon Powershot SD550
  10. Nikon Coolpix 5400

I edited the descriptions to leave out the model names only. Interestingly, their data shows that Canon has about 41% of the market, with Sony and Fujifilm tied at second place with 14% each. It also shows that image–stabilized models indeed appeal to consumers, with most of the Canons IS–equipped.

Personally, I prefer Canon’s P&S models over the others, though I think Fujifilm’s noise reduction for compact digital models is quite interesting. What about you, what’s your favorite compact digital camera?

Categories
Bodies News Product Announcements

Full-frame Nikon D3 released!

Nikon D3

If the Canon EOS-1Ds Mark III, Canon EOS-40D, or the Nikon D300 didn’t get you all excited, the Nikon D3 should. Being the first ever full–frame digital SLR from Nikon, the Nikon D3 stands proud with features than can easily equal or beat its rivals now, even if those are already in their third generation.

The Nikon D3 uses a full–frame CMOS sensor designated as the “FX Format,” as opposed to the DX format used in their 1.5x crop cameras like the D40 and and the D200. Here’s a breakdown of this model, as mentioned in their product page:

  • 12.2 megapixel FX CMOS sensor with high signal-to-noise ratio, wide dynamic range and 12-channel readout.
  • ISO 200 – 6400: extendable up to 25600 (equivalent) and down to ISO 100 (equivalent).
  • 9fps consecutive shooting (11fps in DX Crop mode)
  • EXPEED image processing engine with 14-bit A/D conversion and 16-bit image processing for superb tonal gradation.
  • Advanced Scene Recognition System combines the camera’s metering and AF sensors for precise exposures and sharply defined images.
  • Multi-CAM3500FX 51-point AF system. Individually selectable or configurable in 9-point, 21-point and 51-point coverage settings.
  • Picture Controls streamline in-camera image processing by enabling customization of image parameters before capture and offer complete control over sharpening, contrast, brightness, hue and saturation in various color modes.
  • 920,000 dot 3-inch VGA LCD monitor with wide, 170-degree viewing angle.
  • Live View with Autofocus enables composition of images using the LCD monitor. Two modes are supported: Handheld or Tripod.
  • Two Crop Modes: DX format and 5:4 ratio. The DX crop mode can be automatically enabled when a DX lens is attached.
  • Quick response: approx. 37 ms shutter-lag and 55 ms viewfinder black-out.
  • Highly accurate, durable Kevlar/carbon fiber-composite shutter unit: Standard rating of 300, 000 cycles, with a maximum shutter speed of 1/8,000 sec and flash synchronization at up to 1/250 sec.
  • Active D-Lighting enables superior high-contrast images by automatically applying tone compensation at the moment of capture.
  • Dual CF card slots: configurable for parallel (simultaneous) or serial (consecutive) recording.
  • HDMI video output interface enables connection to high-definition video systems.
  • Intuitive ergonomics with optimized button placement for fast and comfortable handling.
  • Durable Magnesium alloy body built to withstand the rigors of the harshest of environments.
  • Wireless LAN and Ethernet support via optional Wireless Transmitter WT-4.

Considering most of the features on the Nikon D3, especially the full–frame sensor capable of 9 frames per second continuous shooting, with an ISO range up to 6400 and expandable to 25600, it seems Nikon has clear winner compared to the Canon’s top end EOS-1Ds Mark III. This is the camera that Nikon digital shooters haven’t been expecting this soon — this is what full–frame Canon shooters always wanted their next camera to be. And Nikon produced it.

At a price 5,000 dollars, the Nikon D3 is inexpensive when compared to the Canon EOS-1Ds Mark III. If all feature advantages or disadvantages were to be ignored, the Nikon still comes out as the better camera at a better value. I’m sure Canon engineers are now busy trying to outdo Nikon. Times are good, cameras are getting better at lower prices.

Categories
Bodies News Product Announcements

The new Nikon D300

Nikon D300

Nikon UK has just announced the newest addition to its family of digital SLRs, the Nikon D300. Surprisingly, the news came just right after Canon announced the EOS-40D and the EOS-1Ds Mark III, perhaps its own way of “stealing the limelight” considering the technical advantages it has over Canon’s offerings.

The simultaneous announcements from both camera makers surprisingly puts Nikon at an advantage, its model now capable of going head–to–head in the features department. Here are the notables for the Nikon D300, as compared to the 40D:

  • 12.3 megapixel CMOS sensor, much higher than the 40D’s 10.1 MP.
  • 6 frames per second continuous shooting, almost as good as the 40D’s 6.5 fps, but can go up to 8 fps with the optional Multi Power Battery Pack. A little strange though that it can achieve its maximum burst rate with added power only.
  • ISO 200–3200 sensitivity range, with ISO 100 and 6400 as expanded options. Better than ISO 100-3200 on the 40D.
  • 51–point autofocus system shames the new 9–point all–cross–type on the 40D, though we’d have to test this in the real world for any advantages.
  • 150,000–cycle shutter durability is 1.5 times better than the 40D, bested only by top–level models.

Considering how much Nikon has evolved technologically with the D300, it wouldn’t be too surprising if it significantly dominates the DSLR field in the next few months, as more are now upgrading to digital SLRs and some are switching from other mounts/systems. The Nikon D300 has got thinking of switching, if only I could afford it. How about you?

Categories
Bodies News Product Announcements

Canon EOS-1Ds Mark III Announced!

Canon EOS-1Ds Mark III

Canon wouldn’t suffice with just one DSLR body and several point–and-shoots, they made sure they grab the big news with the release of the update to their flagship model, now the Canon EOS-1Ds Mark III. It seemed that the EOS-40D and the recently available EOS-1D Mark III would’ve been enough to lead against its competitors, but with a 21-megapixel full–frame sensor, now who can closely threaten them technology–wise?

The new EOS-1Ds has an unrivaled 21–megapixel CMOS sensor and can shoot at five frames per second, for up to 56 JPEG or 23 RAW images. Also improved in this model is the viewfinder, now brighter and with higher magnification compared to the EOS-1Ds Mark II. It also inherits the Live View functionionality from the Canon EOS-1D Mark III, along with the 3–inch LCD.

With these new features and improvements, will the Mark III be good enough for users to upgrade to this new model, especially considering the 8,000 dollar retail price?

Categories
Bodies News Product Announcements

The new Canon EOS-40D

Canon EOS 40D - front view.

It’s DSLR time once again this year as it’s raining new models from major players Canon and Nikon, each one trying to outdo its counterpart from the other camp.

The Canon EOS-40D is the long–awaited successor to the 30D, which used to be one of the better bodies in the market until compared to Nikon’s D200 and D80. The 40D though packs a lot of punch that should put offerings from other camps in the backseat.

Unlike the previous years, it took little time from leak to official release, Canon beating other DSLR makers to the punch by announcing their new models ahead of everyone.

The Canon EOS-40D is exceptional in its feature set, now capable of 6.5 frames per second continuous shooting at its 10–megapixel resolution. At this rate, it can take 75 JPG or 17 RAW images before the buffer slows down. A new AF system is also introduced, with 9 cross–type sensors plus another one mounted diagonally in the center that works well with f/2.8 and faster lenses.

It also carries most of the new innovations in the Canon EOS-400D like the Integration Cleaning System for the CMOS sensor and Picture Styles, which was also in the 30D. Taking from the Canon EOS-1D Mark III, the 40D also sports a 3–inch LCD with Live View Function, allowing for framing/shooting through the LCD.

This is certainly a revolutionary camera for die–hard Canon shooters, and DPReview provides us a preview of the Canon EOS-40D to give us the lowdown on this new model.

Canon EOS 40D - rear view.