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Lenses

Lensbaby Composer Pro + Sweet 35 Optic

Lensbaby Composer Pro+ Sweet 35

The Lensbaby grows up, finally. With the release of their new Sweet 35 Optic and the updated (and renamed) Composer Pro, what was used as an “occasional alternative lens” may now be a more “mainstream alternative.” With the tilting capabilities available in all lensbabies, it has typically been used as a cheap tilt/shift lens substitute. And now with more precise controls paired with a sharper optic option, it should be capable of producing sharper images with larger sweet spots while allowing for easier fine–tuning.

The Sweet 35 Optic is unique being the first in their optic swap system to have its own aperture diaphragm, thus allowing you to change the aperture without the clumsy swappable aperture rings/plates the older optics used to utilize. If you’re wondering what the Sweet 35 is capable of, here’s a sample from this user review, shot with a Nikon D3s full–frame camera:

DSC_2027

The sweet spot and surrounding blur is definitely better now, right? Getting a new Lensbaby Composer Pro paired with the Sweet 35 comes out to 400 USD. Not cheap, but definitely more affordable than getting a true tilt/shift lens. Is it worth the money? Maybe we’ll soon find out.

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Lenses

Noktor 50mm f/0.95

Lenses designed with apertures that max out to f/1.0 have always held some sort of mythical magic to them, as if the extreme aperture option makes your photos great automatically. History tells us that some of the most popular f/1.0 lenses were not exactly versatile performers.

But modern technology should change that though. A new lens for the Micro Four Thirds format (MFT) boasts of something that sounds even more magical: the Noktor 50mm HyperPrime f/0.95.

Yes, that’s supposed to sound even better than f/1.0 and technically, it is! Since this lens is designed for MFT with a 2x crop factor, it is effectively a 100mm f/0.95, a very enticing idea. But DPReview.com notes the uncanny resemblance with the Senko 50mm f/0.95 C-mount CCTV lens, which may possibly be true if you consider that this lens only has manual focus and manual aperture controls. Still, this interesting lens will surely have special uses for the right market and artists.

Here’s more information on Noktor and its lenses.

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Lenses

Tamron SP AF17-50mm F/2.8 VC

Tamron SP AF17-50mm F/2.8 XR Di-II VC LD Aspherical (IF)

Officially, it’s called the Tamron SP AF17-50mm F/2.8 XR Di-II VC LD Aspherical (IF), quite a handful for a lens name. This was announced by Tamron a few weeks back and is an update to the previous non–stabilized model. If you recall the older model, it is a good performer for an f/2.8 zoom, especially if you consider it’s price.

Now for approximately a 20% surplus in price, you can now get the same sharp f/2.8 zoom with a Tamron’s “Vibration Compensation” technology, very much like Canon’s “Image Stabilization” and Nikon’s “Vibration Reduction”. With this update, this lens might give Canon’s 17-55 f/2.8 IS a run for its money, and at a much lower price.

The Nikon version of this lens was already shipping a few weeks ago while the Canon version starts shipping this week. I’m looking to get a Canon version, so hopefully I’ll have some sample photos soon. For now, here’s three web–resized samples from Tamron.

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Lenses

Nikkor 10-24: First true ultrawide nikkor

AF-S DX Nikkor 10-24mm F3.5-4.5G ED

Nikon has finally released the first true ultra–wideangle lens for its DX cameras, the AF-S DX Nikkor 10-24mm F3.5-4.5G ED. With Canon users already using the popular 10-22 UWA for a few years now, entry–level shooters with Nikon bodies can now enjoy extreme wide angle photography without resorting to third–party manufacturers like Sigma and Tamron.

I can’t help but notice the timing and similarities between this Nikon and the Tamron 10–24, but observations have shown that there are various technical differences between the two.

There are now some sample photos taken with the Nikkor 10-24mm available online. Unfortunately, with the suggested retail price tentatively set at EUR849, this lens may just be too far out of reach for beginner to serious–amateur DX shooters. Those with this money are probably waiting to move up to their FX full frame cameras, if they still haven’t.

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Lenses Rumors

Nikon AF-S Nikkor 10-18mm f/4 G ED N: A fake?

Nikon AF-S Nikkor 10-18mm f/4 G ED N

Have you encountered the rumored Nikon AF-S Nikkor 10-18mm f/4 G ED N? It would’ve been a good addition to Nikon’s lens lineup except that now, they’re telling us it is a fake.

Do you think it’s a fake?

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Lenses Photo Samples

Sample photos: AF-S DX Nikkor 35mm f/1.8G

nikon-35-18-dx

DPReview just came out with a gallery of sample photos from the recently announced Nikon AF-S DX Nikkor 35mm f/1.8G. Based on what I saw, there’s no reason this lens won’t be a bestseller. Aside from looking like a good performer, there isn’t much alternative, even more if you consider the price.

Sample photos from the Nikon AF-S DX Nikkor 35mm f/1.8G

(Photo above courtesy of DPReview.com)

Categories
Lenses Reviews

Tamron 10-24 reviewed

Tamron 10-24 mm f/3.5-4.5

The Tamron 10-24mm ultrawide has been on the radar for most shooters looking for a cheap wideangle lens so this review over at DPReview.com should provide helpful. For the money you pay, this lens is certainly a good one. A good buy.

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Lenses Product Announcements

Nikon releases AF-S DX Nikkor 35mm f/1.8G

af-s-dx-nikkor-35mm-f-18g

Finally, a camera maker does the right thing they should’ve done a long time ago. Nikon has just announced a DX lens that will surely be the new favorite normal lens for everyday DX shooters — the AF-S DX Nikkor 35mm f/1.8G.

Set at USD $199, though not exactly cheap, is a reasonable price for a fast aperture lens that provides a field of view close to the traditional 50mm normal lens. With not much alternatives, Nikon may be poised to sell this like pancakes. Based on recent cheap Nikon lenses like their kit offerings, the 35mm DX should be a decent performer good enough for most photographers.

I can’t help but wonder if Canon would do the same, because they should.

NIKON INTRODUCES THE FASTEST DX-FORMAT LENS TO DATE: THE AF-S DX NIKKOR 35MM f/1.8G

MELVILLE, N.Y. (Feb. 8, 2009) – Nikon Inc. today announced the AF-S DX NIKKOR 35mm f/1.8G lens, which is the first fixed focal length, fast-aperture DX-format lens that affords photographers superb image quality along with the creative possibilities and versatility of the classic 50mm focal length (FX-format equivalent of 52mm). When mounted on a DX-format camera body, it enables photographers to document their world with a lens that produces a picture angle similar to the field of vision as seen through the human eye. Whether new to D-SLRs or a seasoned enthusiast, users will appreciate the extreme low-light performance and the expanded ability to dramatically separate the subject and background with the new 35mm DX lens’ wide f/1.8 aperture.

“The development and release of the 35mm f/1.8 NIKKOR lens delivers new and added versatility to the Nikon DX-format digital SLR system and provides DX-format photographers with a broader range of fast-aperture lens options,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc. “This f/1.8 prime lens provides users with exceptional control of background and foreground, superb low-light ability, and the natural focal length that has been the staple of photography since its inception.”

Lightweight, compact and affordable, this lens can easily become a fast favorite for any level of photographer, and is the perfect complement to D60 users who are just starting to learn D-SLR photography or enthusiasts who love their D90. The AF-S DX NIKKOR 35mm f/1.8G lens is ideal for travel, general photography, landscape shooting, portraiture or pushing creative boundaries. The stunning sharpness, clarity and color reproduction are all proof positive of more than 75 years of NIKKOR heritage and experience in optics engineering.

This lens continues the tradition of NIKKOR precision optics to provide photographers with sharp, high-resolution images and the ability to focus as close as 0.98 feet, while the integration of an ultra-compact Silent Wave Motor ensures fast, whisper-quiet AF operation.

The 35mm DX lens construction consists of eight elements in three groups, with an aspherical element to reduce size and weight, while contributing to the enhanced balance when mounted on a smaller DX-format D-SLR. A rounded diaphragm opening combined with the nine-blade aperture contributes to a substantially more circular bokeh for a more natural appearance of out-of-focus background elements. Additionally, instances of lens flare and chromatic aberration are suppressed using Nikon’s exclusive Super Integrated Coatings, which also help ensure vividly accurate color balance.

The AF-S NIKKOR 35mm f/1.8G lens is scheduled to be available at Nikon authorized dealers beginning March 2009 at an estimated selling price of $199.95.* For more information, please visit www.nikonusa.com.

About the NIKKOR brand
With a full family of FX and DX-format lenses and focal lengths, from the ultra-wide 10.5mm fisheye to the super-telephoto 600mm VR, NIKKOR customers have come to rely upon Nikon’s optical superiority and the support of NIKKOR core technologies, of which the new 35mm DX lens is a prime example. NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an “R” to “NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the “Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.
# # #

*Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
For J.D. Power and Associates award information, go to jdpower.com

Categories
Lenses Reviews

Canon EF-S 18-200mm IS Review

Canon EF-S 18-200mm f/3.5-5.6 IS

I’m sure a lot of us have been eagerly waiting for reviews of the Canon EF-S 18-200mm f/3.5-5.6 IS, now here’s the first one from DPReview!

The lens gets the “recommended” badge but with reservations. If you manage to read the complete review though, you’d realize that there are several compromises in this lens that would make you reconsider buying one. The cons they’ve mentioned will make you think twice:

  • Poor sharpness across much of the frame at 18mm and wider apertures
  • Pronounced barrel distortion at wideangle, and pincushion distortion around 50mm
  • High levels of chromatic aberration at either end of the zoom range

At USD $700, maybe it’s a bit too much money for something so plain and ordinary? But then again, you get impressive range with extremely useful image stabilization. I’m sure this lens appeals to certain types of photographers, but right now I’m just not sure if I’m one of them.

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Lenses Product Announcements

Tamron 10-24 ultrawide

Tamron 10-24 mm f/3.5-4.5

Tamron has just announced the Tamron SP AF 10–24mm f/3.5-4.5 Di II LD Aspherical (IF), a new ultrawide that should supersede the slower Tamron SP AF11–18mm F/4.5-5.6 Di-II LD Aspherical (IF) which they’ve offered as a wide–angle alternative for Canon and Nikon shooters for a while now.

The range for this ultrawide is better than similar offerings and is even better than the Canon EF–S 10–22 mm, one of the better ultrawide lenses for APS–C cameras. It also shares the same max aperture throughout the range, putting it in direct competition with the Canon lens. If it sells for much less than the Canon 10–22, the Tamron 10–24 should be a good seller especially if it inherits the excellent optical qualities of Tamron’s 28–75 and 17–50 f/2.8 zooms.

Categories
Lenses Product Announcements

AF-S DX NIKKOR 18-105MM F/3.5-5.6G ED VR

AF-S DX NIKKOR 18-105MM F/3.5-5.6G ED VR

The AF-S DX NIKKOR 18-105MM F/3.5-5.6G ED VR is a new image–stabilized (using Nikon’s Vibration Reduction technology) zoom lens created as the kit lens for the new Nikon D90. On paper, it is a good lens with a long and usable range that will appeal greatly to first–time digital SLR buyers. The only thing that makes it look bad is the Nikon 18–200 VR of course.

Here’s more on the 18–105 DX VR:

  • DX-format, high-power 5.8x zoom lens with focal length ranging from 18 to 105mm
  • Broad picture angle range approximates the perspective of a 27-157.5mm lens on a 35mm-format film camera or Nikon FX-format digital SLR
  • Covers diverse shooting situations from wide-angle landscapes and interiors to portraiture and medium-range sports
  • Vibration Reduction assures sharper handheld pictures while shooting at shutter speeds up to three stops slower than would otherwise be possible
  • Built-in Silent Wave Motor delivers quiet, swift autofocus with superior accuracy
  • High-performance optical system featuring an ED glass element and an aspherical lens element realizes superior image reproduction capability
  • The rounded 7-blade diaphragm opening renders out-of-focus elements more naturally
  • Leather texture matches Nikon digital SLR’s body high-quality exterior design

No reports on pricing yet as it seems it will only be available as part of the D90 kit.

Categories
Lenses Product Announcements

Canon EF-S 18-200mm f/3.5-5.6 IS lens

Canon EF-S 18-200mm f/3.5-5.6 IS

Superzooms are typically average optical performers, but consumers love them. For lensmakers, they can be a huge bulk of overall sales, likely the reason why the Sigma 18-200mm F3.5-6.3 DC OS generates a huge amount of traffic for this site. It all started with the Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX, the excellent superzoom that’s only available for Nikon DX–sensor cameras. Sigma was quick to capitalize by offering an equivalent for other mounts with no counterpart for the Nikon 18-200.

Now enter the Canon EF-S 18-200mm f/3.5-5.6 IS lens that seems to be a match to its Nikon counterpart. If this lens proves to be even just an average performer, a lot of EOS shooter will be sporting them in their bags simply because of the fact that it simplifies a lot of things. More specifically, this can easily be the favorite travel and everyday lens. Paired with an entry–level body like the 1000D or the 450D, or even the older 400D, you’ve got a camera/lens combo that should be enough for 95% of shots we usually take.

Now I’m just wondering if $699 USD is cheap; it doesn’t have USM after all.

Categories
Lenses

Sigma 50mm F1.4 EX DG HSM

Sigma 50mm F1.4 EX DG HSM

Are you shooting full–frame? If you’re looking for alternatives to normal lenses from Canon and Nikon, maybe you should consider the soon to be available Sigma 50mm F1.4 EX DG HSM.

Sigma has finally decided to create a normal lens that should be a cheaper option if you’re looking for something with at least f/1.4 maximum aperture. Based on their product specifications page, this lens is optimized for digital sensors but should work with any full–frame camera.

However, based on our experience with most Sigma lenses, this lens should be good enough but definitely not way better than its Nikon and Canon counterparts especially in terms of performance. But if Sigma puts this in a cheaper price point, there should be enough takers for it to be considerably successful.

Categories
Lenses Product Announcements

Sigma 10mm F2.8 EX DC Fisheye HSM

Sigma 10mm F2.8 EX DC Fisheye HSM

The Sigma 10mm F2.8 EX DC Fisheye HSM is another new lens announced by Sigma that should get other lens makers quickly making their own equivalent. Just like the probably more interesting Sigma 4.5mm F2.8 EX DC Circular Fisheye HSM, this is another prime fisheye that should fill the void for APS–C digital SLR shooters who have long been yearning for a fisheye lens for dSLR bodies. Unlike the other fisheye lens, the image produced is not labeled “circular fisheye” which means it will have exaggerated perspective and distortion.

The produced image will have a diagonal angle of view of 180 degrees for Nikon APS–C (1.5x crop), while 154 and 167 degrees for Sigma and Canon respectively. Other details worthy of note:

  • Fisheye lens designed specifically for APS-C digital SLR cameras
  • 13.5cm minimum focusing distance and 1:3.3 maximum magnification allows close up photography
  • Equipped with HSM allowing full-time manual focus override
  • Equisolid angle projection system is possible for art and scientific use

With two fisheyes coming from Sigma really soon, can we expect other manufacturers to compete with this segment of the market?

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Lenses Product Announcements

Sigma 4.5mm F2.8 EX DC Circular Fisheye HSM

Sigma 4.5mm F2.8 EX DC Circular Fisheye HSM

Sigma has just announced the first circular fisheye lens for APS–C digital SLR cameras in the Sigma 4.5mm F2.8 EX DC Circular Fisheye HSM. When used in a 1.5x crop SLR body like the new Nikon D300 as well as those before it, this new lens will produce an image with a 180 degree angle of view. Worthy of note are:

  • The first 180 degree circular fisheye lens designed specifically for APS-C size digital SLR cameras
  • Fast F2.8 maximum aperture making it ideal for low light photography
  • Minimum focusing distance of 13.5cm and a maximum magnification of 1:6
  • SLD glass minimizes color aberration
  • Equipped with HSM with full-time manual focus override
  • Equisolid angle projection method is possible for art and scientific use

Since this will be the very first lens of this type for APS–C cameras, this should sell relatively well until other lens manufacturers follow suit. Hopefully, this lens will be relatively affordable and good enough for the demands of today’s high–resolution cameras.

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Bodies Lenses News

New Olympus E-3 & Zuiko Lenses

Olympus has just announced it’s new Four Thirds format body, the E-3. This new body can do 5 frames per second of continuous shooting, at 10 megapixels. To complement this new SLR body, they also have several pro–level lenses (and a 2x teleconverter) announced at the same time, namely:

However, with the market very much crowded by both Nikon and Canon, will the Olympus E-3 be commercially successful?

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Lenses News Product Announcements

Nikon 600mm f/4G ED VR AF-S NIKKOR

Nikon 600mm f/4G ED VR AF-S NIKKOR

Among Nikon’s recently announced super–telephotos, the Nikon 600mm f/4G ED VR AF-S NIKKOR has the highest reach and is expected to command the highest price. Designed mostly for sports, news, and wildlife use, this is expected to be present in the arsenal of the most sought–after porfessionals.

  • Ultra-fast aperture, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 5m.
  • Excellent dust and water resistance.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-604.

Expected for European release in November 2007.

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Lenses News Product Announcements

Nikon 500mm f/4G ED VR AF-S NIKKOR

Nikon 500mm f/4G ED VR AF-S NIKKOR

A super–telephoto lens, the Nikon 500mm f/4G ED VR AF-S NIKKOR should be well suited for sports and news photography as well as those into wildlife, allowing for great reach at excellent quality. Featuring Nikon’s VR (Vibration Reduction) technology, this is expected to cost a premium but quality should be well worth the price, for those who can actually afford it.

  • Fast aperture, easy-to-handle, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 4m.
  • Excellent dust and water resistance.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-504 included.

Availability is expected in November 2007 for Europe.

Categories
Lenses News Product Announcements

Nikon 400mm f/2.8G ED VR AF-S NIKKOR

Nikon 400mm f/2.8G ED VR AF-S NIKKOR

The Nikon 400mm f/2.8G ED VR AF-S NIKKOR is an similar to a previous model, but adding Nikon’s Vibration Reduction (VR) technology, an image stabilization system not unlike Canon’s IS.

  • Ultra-fast aperture, super telephoto lens.
  • VR II (Vibration Reduction) offers effects equivalent to using a shutter speed 4 stops faster.
  • Nano Crystal coat reduces ghost and flare.
  • Closest focusing distance: 2.9m.
  • Excellent resistance to dust and water.
  • Meniscus protective glass element.
  • A/M mode prevents accidental switching when using autofocus mode.
  • Focus preset possible.
  • Tough aluminum Trunk case CT-404 included.

More on this product soon.

Categories
Lenses News Product Announcements

Nikon 14-24mm f/2.8G ED AF-S NIKKOR

Nikon 14-24mm f/2.8G ED AF-S NIKKOR

The Nikon 14-24mm f/2.8G ED AF-S NIKKOR is a new ultra–wideangle zoom lens from Nikon that is designed to work with full–frame bodies like the new Nikon D3, with f/2.8 constant aperture to boot! This should rival the Tokina 12-24mm which is one of the ultra–wide favorites for current DX/APS–C and full–frame shooters.

The key features:

  • Professional, extreme wideangle zoom NIKKOR lens.
  • 14-24mm zoom range (DX equivalent: 36-105mm).
  • Nano Crystal coat reduces ghost and flare.
  • SWM (Silent Wave Motor) for whisper quiet and fast autofocus.
  • ED glass to minimize chromatic aberration.
  • Rubber mount seal.
  • Instant manual focus override (M/A or M switching).
  • Integrated hood.
  • Soft pouch CL-M3 included.

The Nikon 14-24 should be an excellent lens based on Nikon’s history of producing great lenses, but we’ll see for sure once it starts shipping.